Lee Byung-hun, King of the ScreenWall Street Journal
There is something about Lee Byung-hun beyond his deep, intense eyes and commanding demeanor. Undoubtedly one of South Korea’s top actors, Mr. Lee oozes charm on the big screen, as well as considerable talent.
Since his debut, the 42-year old Mr. Lee has starred in 20 movies and 21 TV dramas. His breakthrough was “JSA: Joint Security Area,” directed by Park Chan-wook in 2000, a fictional account of how South and North Korean soldiers at the border become friends but face a tragic end after failing to overcome their distrust of each other and a deep ideological divide.

Lee Byung-hun, King of the Screen
Wall Street Journal

There is something about Lee Byung-hun beyond his deep, intense eyes and commanding demeanor. Undoubtedly one of South Korea’s top actors, Mr. Lee oozes charm on the big screen, as well as considerable talent.

Since his debut, the 42-year old Mr. Lee has starred in 20 movies and 21 TV dramas. His breakthrough was “JSA: Joint Security Area,” directed by Park Chan-wook in 2000, a fictional account of how South and North Korean soldiers at the border become friends but face a tragic end after failing to overcome their distrust of each other and a deep ideological divide.

September Issue: Theater Casting Controversy Highlights Inequality on Stage

Not Good Enough to Play Ourselves?

A casting controversy at the prestigious La Jolla Playhouse reignites the debate on fair representation on stage.

While we’ve seen an increase in Asian Americans in television and films — John Cho, Lucy Liu and Maggie Q, to name a few—the face of theater remains the same. The silver and small screens are better reflecting the growing diversity of our communities, but the stage remains alarmingly monochromatic.

In the last five theater seasons, less than 2 percent of roles on Broadway were given to Asian Americans—that’s only about 54 of 3,530 roles. In nonprofit theater, only 3 percent of roles went to Asian American actors.  Asian Americans overall saw a decrease in their numbers in mainstream theater; during the 2009-2010 season, Asian Americans were seen in only 1 percent of roles in Broadway and nonprofit theater combined.
Continue Reading »

September Issue: Theater Casting Controversy Highlights Inequality on Stage

Not Good Enough to Play Ourselves?

A casting controversy at the prestigious La Jolla Playhouse reignites the debate on fair representation on stage.

While we’ve seen an increase in Asian Americans in television and films — John Cho, Lucy Liu and Maggie Q, to name a few—the face of theater remains the same. The silver and small screens are better reflecting the growing diversity of our communities, but the stage remains alarmingly monochromatic.

In the last five theater seasons, less than 2 percent of roles on Broadway were given to Asian Americans—that’s only about 54 of 3,530 roles. In nonprofit theater, only 3 percent of roles went to Asian American actors.  Asian Americans overall saw a decrease in their numbers in mainstream theater; during the 2009-2010 season, Asian Americans were seen in only 1 percent of roles in Broadway and nonprofit theater combined.

Continue Reading »

Two of Korea’s Leading Actors Stamp Prints in Hollywood
Chosun Ilbo

Actors Ahn Sung-ki and Lee Byung-hun left their hand prints on the forecourt of Mann’s Chinese Theatre in Hollywood on Saturday (local time), becoming the first Asian actors to do so.

FLASHBACK: Ken Jeong vs. Daniel Dae Kim on the Red Carpet - Unforgettable 2009 

Ken Jeong talks smack about Daniel Dae Kim. Both received Achievement Awards in Film & Television at KoreAm’s “Unforgettable” 2009

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