LAST month a business student at Korea University in Seoul posted a large bulletin on a wall in the university grounds. In bold black pen, Ju Hyun-woo recounted the week’s events: thousands of railway workers dismissed for striking; the suicide of a farmer in protest at the construction of electricity pylons near his village; and the conservative ruling party’s proposal to expel an opposition politician for questioning the legitimacy of the president, Park Geun-hye. Mr Ju asked readers: “How are you all feeling nowadays?”
Answers came in thick and fast, and most people said they were not fine. Within a few days dozens of handwritten posters—known as daejabo—were pinned up next to his, on issues ranging from high gas bills to gay rights. Now Mr Ju reckons almost 1,000 have been tacked onto university walls around the country. Students in Japan, America, China and Chile have followed, posting pictures of their posters on the “Can’t be OK” Facebook page, which gathered 260,000 followers in a week.
Social media have long been a haven for anonymous dissenting voices in South Korea. But Mr Ju says he wanted to “take responsibility” for his poster: he signed it and stood in front of it for ten hours, engaging passers-by. Breaking with a tradition of politically charged, militant daejabo, used in the past by Korean students to demand change, Mr Ju left readers to come up with their own grievances—and answers.
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